Inside the wood-paneled auditorium of one of Tokyo's most prestigious concert halls, 24-year-old Kiwa Usami presses just one index finger to the piano and summons the colossal swells of Beethoven's Ode to Joy, accompanied by an orchestra and choir.
Inside the wood-paneled auditorium of one of Tokyo's most prestigious concert halls, 24-year-old Kiwa Usami presses just one index finger to the piano and summons the colossal swells of Beethoven's Ode to Joy, accompanied by an orchestra and choir.